• home
  • exhibitions
    • 2026 Trying To Touch The Grass - Five Walls Project Space, Footscray
    • 2026 'Her Majesty's Prison,' by The Tennant Creek Brio, Peter Webster and Tina Douglas
    • 2026 Third Experimental Music Festival, Kanazawa-city, Japan 2026
    • 2025 hyphae (mycelium) - Blindside, Melbourne
    • 2023 In Becoming Not Nothing - Layla Vardo and Tina Douglas, Brunswick Temporary, Brunswick
    • 2023 hypha_e - Five Walls, Footscray
    • 2023 ABSTRACTI♀︎N - Five Walls, Footscray
    • 2022 Digital: how artists use ‘the digital’ to talk about being human, Sandbox Studios, Brunswick
    • 2022 Abstraction 22 - Five Walls, Footscray
    • 2019 Shit That I Like - Nicholas Projects, Richmond
    • 2019 Backscatter, Five Walls Projects, Footscray
    • 2019 Tech-Xiety, Melbourne Fringe Festival, Prahran
    • 2017 - 2018 Let's Play: The art of our time, Bunjil Place Gallery, Narre Warren
    • 2018 Support - Five Wall Projects, Footscray
    • 2018 Abstraction Twentyeighteen - Five Walls Projects, Footscay
    • 2017 node - Alternating Current Space, Prahran
    • 2017 process - Town Hall Gallery, Hawthorn
    • 2017 signalbox Five Walls, Footscray
    • 2017 Her Way, Rankins Lane Gallery, Melbourne
    • 2016 the introduction of z - Five Walls, Footscray
    • 2016 draw - Studio 5, Fitzroy
    • 2016 holding pattern - fortyfive downstairs, Melbourne
    • 2016 5 Rankina Lane, Melbourne
    • 2013 Remote Access: Charts for Thinking Place Gallery, Melbourne
    • 2012 X,Y,Z Mundi Place Gallery, Melbourne
    • 2011 Place Gallery, Melbourne
    • 2010 Works on Paper, Place Gallery
    • 2009 Place Gallery, Melbourne
    • 2007 Place Gallery, Melbourne
    • 2004 Watson Place Gallery, Melbourne
    • 2004 betaversionpack, Studio 15, Abbey St Studios, Richmond
    • 2003 betaversion, First Site, RMIT
    • 2001 Paintings on Art Gallery Walls (with Jonas Balsaitis)
    • 1998 Pinacotheca Gallery, Melbourne
    • 1995 Pinacotheca Gallery, Melbourne
    • 1993 Pinacotheca Gallery, Melbourne
  • sound, mulitmedia, video
    • mycelium orchestra
    • hyphae project
    • exhibitions
    • performances
    • solo releases
    • compilations
  • collaborations
    • 2021 Objects of Interest
    • 2020 FOLMR
  • news
  • about

Tina Douglas

art

  • home
  • exhibitions
    • 2026 Trying To Touch The Grass - Five Walls Project Space, Footscray
    • 2026 'Her Majesty's Prison,' by The Tennant Creek Brio, Peter Webster and Tina Douglas
    • 2026 Third Experimental Music Festival, Kanazawa-city, Japan 2026
    • 2025 hyphae (mycelium) - Blindside, Melbourne
    • 2023 In Becoming Not Nothing - Layla Vardo and Tina Douglas, Brunswick Temporary, Brunswick
    • 2023 hypha_e - Five Walls, Footscray
    • 2023 ABSTRACTI♀︎N - Five Walls, Footscray
    • 2022 Digital: how artists use ‘the digital’ to talk about being human, Sandbox Studios, Brunswick
    • 2022 Abstraction 22 - Five Walls, Footscray
    • 2019 Shit That I Like - Nicholas Projects, Richmond
    • 2019 Backscatter, Five Walls Projects, Footscray
    • 2019 Tech-Xiety, Melbourne Fringe Festival, Prahran
    • 2017 - 2018 Let's Play: The art of our time, Bunjil Place Gallery, Narre Warren
    • 2018 Support - Five Wall Projects, Footscray
    • 2018 Abstraction Twentyeighteen - Five Walls Projects, Footscay
    • 2017 node - Alternating Current Space, Prahran
    • 2017 process - Town Hall Gallery, Hawthorn
    • 2017 signalbox Five Walls, Footscray
    • 2017 Her Way, Rankins Lane Gallery, Melbourne
    • 2016 the introduction of z - Five Walls, Footscray
    • 2016 draw - Studio 5, Fitzroy
    • 2016 holding pattern - fortyfive downstairs, Melbourne
    • 2016 5 Rankina Lane, Melbourne
    • 2013 Remote Access: Charts for Thinking Place Gallery, Melbourne
    • 2012 X,Y,Z Mundi Place Gallery, Melbourne
    • 2011 Place Gallery, Melbourne
    • 2010 Works on Paper, Place Gallery
    • 2009 Place Gallery, Melbourne
    • 2007 Place Gallery, Melbourne
    • 2004 Watson Place Gallery, Melbourne
    • 2004 betaversionpack, Studio 15, Abbey St Studios, Richmond
    • 2003 betaversion, First Site, RMIT
    • 2001 Paintings on Art Gallery Walls (with Jonas Balsaitis)
    • 1998 Pinacotheca Gallery, Melbourne
    • 1995 Pinacotheca Gallery, Melbourne
    • 1993 Pinacotheca Gallery, Melbourne
  • sound, mulitmedia, video
    • mycelium orchestra
    • hyphae project
    • exhibitions
    • performances
    • solo releases
    • compilations
  • collaborations
    • 2021 Objects of Interest
    • 2020 FOLMR
  • news
  • about

Video of four works from the series 'white noise' 2023 in the exhibition 'In Becoming Not Nothing' - Layla Vardo and Tina Douglas, curated by Karleng Lim. Brunswick Temporary, Brunswick. 3D printed, PLA.

Tina Douglas, white noise 2, 7, 12, 17 2023, polylactic acid, each approx. 118.5 x 89 x 6 cm. From the series ‘white noise’ 2022-2023, polylactic acid, 18 3D prints, each approx. 118.5 x 89 cm. 3D prints printed by Chris Langton.

* Polylactic acid or polylactide a polyester made from renewable biomass, typically from fermented plant starch like corn, cassava, sugarcane or sugar beet pulp.

In Becoming Not Nothing - Layla Vardo and Tina Douglas

Curated by Karleng Ling. Brunswick Temporary, 265 Lygon St, Brunswick VIC 3075

In Becoming Not Nothing

In this exhibition, we delve into realms of perception and continuous processes of becoming through the works of two unique artists, Tina Douglas and Layla Vardo. Their distinct yet complementary practices invite us to reconsider our relationship with the world, challenging our sensory limitations and habitual modes of perception.

Tina Douglas's work engages with the hidden spectrums of our sensory experience. Using modular synthesisers in her process, she brings to light the unseen and unheard frequencies of white noise and the electromagnetic spectrum. Her White Noise series embodies the unseen world, attempting to give form to phenomena our senses usually overlook or can't detect. These works capture moments of dynamic interaction with the environment, reflecting the continuous process of evolution and reshaping our perception.

Conversely, Layla Vardo's Interstices series addresses the architectural dimensions of spatial and cultural experience. Architectures are conceived as diverse, multifaceted sites of flux, ever-changing and ever-becoming. Interstices #2 is a slow, almost imperceptible dance on the boundaries of built, virtual and imagined architectures, informed by contemporary media culture. Both artists explore the inherent dynamism of existence. They invite us to engage with the world not as a collection of static entities but as a field of potentialities, a realm of transformation and becoming. They challenge our perceptions, inviting us to explore the dimensions of our reality in a nuanced and expansive way that engages with the complexities that surround us.

Karleng Lim 2023

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