Experiments I & II. Dimensions variable.
Printed and painted cardboard. Seven modules. Dimensions variable.
Printed and painted cardboard. Seven modules. Dimensions variable.
Experiments I & II. Dimensions variable.
Printed and painted cardboard. Seven modules. Dimensions variable.
Printed and painted cardboard. Seven modules. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
Acrylic on printed acetate grids. Lightbox. Dimensions variable.
the introduction of z
22 July - 6 August Arcade Footscray
Lately, I have been using the grid as a tool for sectioning the picture into a series of fields. I have also been using a large long narrow format to reinforce this grid structure and further direct the picture plane.
The relationship or tension created between intuitive and the imposed rule of a large grid field interests me in both my visual and performative practice. This project will be integral to expanding this process of investigation.
Tina Douglas, 2016