• home
  • exhibitions
    • 2026 Trying To Touch The Grass - Five Walls Project Space, Footscray
    • 2026 'Her Majesty's Prison,' by The Tennant Creek Brio, Peter Webster and Tina Douglas
    • 2026 Third Experimental Music Festival, Kanazawa-city, Japan 2026
    • 2025 hyphae (mycelium) - Blindside, Melbourne
    • 2023 In Becoming Not Nothing - Layla Vardo and Tina Douglas, Brunswick Temporary, Brunswick
    • 2023 hypha_e - Five Walls, Footscray
    • 2023 ABSTRACTI♀︎N - Five Walls, Footscray
    • 2022 Digital: how artists use ‘the digital’ to talk about being human, Sandbox Studios, Brunswick
    • 2022 Abstraction 22 - Five Walls, Footscray
    • 2019 Shit That I Like - Nicholas Projects, Richmond
    • 2019 Backscatter, Five Walls Projects, Footscray
    • 2019 Tech-Xiety, Melbourne Fringe Festival, Prahran
    • 2017 - 2018 Let's Play: The art of our time, Bunjil Place Gallery, Narre Warren
    • 2018 Support - Five Wall Projects, Footscray
    • 2018 Abstraction Twentyeighteen - Five Walls Projects, Footscay
    • 2017 node - Alternating Current Space, Prahran
    • 2017 process - Town Hall Gallery, Hawthorn
    • 2017 signalbox Five Walls, Footscray
    • 2017 Her Way, Rankins Lane Gallery, Melbourne
    • 2016 the introduction of z - Five Walls, Footscray
    • 2016 draw - Studio 5, Fitzroy
    • 2016 holding pattern - fortyfive downstairs, Melbourne
    • 2016 5 Rankina Lane, Melbourne
    • 2013 Remote Access: Charts for Thinking Place Gallery, Melbourne
    • 2012 X,Y,Z Mundi Place Gallery, Melbourne
    • 2011 Place Gallery, Melbourne
    • 2010 Works on Paper, Place Gallery
    • 2009 Place Gallery, Melbourne
    • 2007 Place Gallery, Melbourne
    • 2004 Watson Place Gallery, Melbourne
    • 2004 betaversionpack, Studio 15, Abbey St Studios, Richmond
    • 2003 betaversion, First Site, RMIT
    • 2001 Paintings on Art Gallery Walls (with Jonas Balsaitis)
    • 1998 Pinacotheca Gallery, Melbourne
    • 1995 Pinacotheca Gallery, Melbourne
    • 1993 Pinacotheca Gallery, Melbourne
  • sound, mulitmedia, video
    • mycelium orchestra
    • hyphae project
    • exhibitions
    • performances
    • solo releases
    • compilations
  • collaborations
    • 2021 Objects of Interest
    • 2020 FOLMR
  • news
  • about

Tina Douglas

art

  • home
  • exhibitions
    • 2026 Trying To Touch The Grass - Five Walls Project Space, Footscray
    • 2026 'Her Majesty's Prison,' by The Tennant Creek Brio, Peter Webster and Tina Douglas
    • 2026 Third Experimental Music Festival, Kanazawa-city, Japan 2026
    • 2025 hyphae (mycelium) - Blindside, Melbourne
    • 2023 In Becoming Not Nothing - Layla Vardo and Tina Douglas, Brunswick Temporary, Brunswick
    • 2023 hypha_e - Five Walls, Footscray
    • 2023 ABSTRACTI♀︎N - Five Walls, Footscray
    • 2022 Digital: how artists use ‘the digital’ to talk about being human, Sandbox Studios, Brunswick
    • 2022 Abstraction 22 - Five Walls, Footscray
    • 2019 Shit That I Like - Nicholas Projects, Richmond
    • 2019 Backscatter, Five Walls Projects, Footscray
    • 2019 Tech-Xiety, Melbourne Fringe Festival, Prahran
    • 2017 - 2018 Let's Play: The art of our time, Bunjil Place Gallery, Narre Warren
    • 2018 Support - Five Wall Projects, Footscray
    • 2018 Abstraction Twentyeighteen - Five Walls Projects, Footscay
    • 2017 node - Alternating Current Space, Prahran
    • 2017 process - Town Hall Gallery, Hawthorn
    • 2017 signalbox Five Walls, Footscray
    • 2017 Her Way, Rankins Lane Gallery, Melbourne
    • 2016 the introduction of z - Five Walls, Footscray
    • 2016 draw - Studio 5, Fitzroy
    • 2016 holding pattern - fortyfive downstairs, Melbourne
    • 2016 5 Rankina Lane, Melbourne
    • 2013 Remote Access: Charts for Thinking Place Gallery, Melbourne
    • 2012 X,Y,Z Mundi Place Gallery, Melbourne
    • 2011 Place Gallery, Melbourne
    • 2010 Works on Paper, Place Gallery
    • 2009 Place Gallery, Melbourne
    • 2007 Place Gallery, Melbourne
    • 2004 Watson Place Gallery, Melbourne
    • 2004 betaversionpack, Studio 15, Abbey St Studios, Richmond
    • 2003 betaversion, First Site, RMIT
    • 2001 Paintings on Art Gallery Walls (with Jonas Balsaitis)
    • 1998 Pinacotheca Gallery, Melbourne
    • 1995 Pinacotheca Gallery, Melbourne
    • 1993 Pinacotheca Gallery, Melbourne
  • sound, mulitmedia, video
    • mycelium orchestra
    • hyphae project
    • exhibitions
    • performances
    • solo releases
    • compilations
  • collaborations
    • 2021 Objects of Interest
    • 2020 FOLMR
  • news
  • about
View fullsize grating 2019  (detail)
View fullsize prickly 2019 (detail)
View fullsize prickly 2019 (detail)
View fullsize Tina Douglas, scratchy 2019, 3D printed plastic errors on ragboard, 37.6 x 28.5 x 6 cm with acrylic box (detail)
View fullsize Tina Douglas, scratchy 2019, 3D printed plastic errors on ragboard, 37.6 x 28.5 x 6 cm with acrylic box (detail)
View fullsize harsh 2019
View fullsize harsh 2019 (side view)
View fullsize harsh 2019 (detail)
View fullsize harsh 2019 (detail)
View fullsize harsh 2019 (detail)
View fullsize Tech-Xiety 2019, installation view
View fullsize Tech-Xiety 2019, installation view
View fullsize Tech-Xiety 2019, installation view
View fullsize prickly 2019
View fullsize spiky 2019
View fullsize spiky 2019
View fullsize grating 2019
View fullsize Tina Douglas, scratchy 2019, 3D printed plastic errors on ragboard, 37.6 x 28.5 x 6 cm with acrylic box
View fullsize spiky 2019 (detail)
View fullsize itchy 2019
View fullsize itchy 2019

 Tech-Xiety

17 - 28 September 2019, Vernissage Gallery, 509 High St , Prahran VIC

Amaya Iturri

Daniel Gardeazabal

Tina Douglas

Curated by Alojz Babic

In Mark Manson’s counter-intuitive novel The Subtle Art of Not Giving a F*ck, the author proposes that ‘Technology has solved economic problems by giving us new psychological problems. The internet has not just open-sourced information; it has also open-sourced insecurity, self-doubt, and shame.’

This forms the basis for the exhibition, Tech-xiety, where three contemporary artists, Tina Douglas, Daniel Gardeazabal and Amaya Iturri, respond to this current paradigm of technology with various mediums reflecting as antidotes to the unspoken crisis.

In fact, the exhibition includes a social media challenge whereby the community is invited on a 5:2 technology diet. Are you willing?

Part of the Melbourne Fringe Festival.

Alojz Babic 2019

Tina Douglas is a consummate artist who has devoted over two decades to exploring the relationship between abstraction and charting order. Douglas’ meandering has navigated her through different mediums as resolution is revealed in the materiality of the works.

In tech-xiety, a following vein is unearthed in the pieces that are constructions of dystopian waste. The assemblages are all from 3-D printing errors; where the machines are self-creating objects that become artefacts of their existence as beings.

Alojz Babic 2019

Images:

Tina Douglas, itchy 2019, 3D printed plastic errors on ragboard, 37.6 x 28.5 x 6 cm with acrylic box

Tina Douglas, harsh 2019, 3D printed plastic errors on ragboard, 60 x 55 x 6 cm with acrylic box

Tina Douglas, scratchy 2019, 3D printed plastic errors on ragboard, 37.6 x 28.5 x 6 cm with acrylic box

Tina Douglas, spiky 2019, 3D printed plastic errors on ragboard, 37.6 x 28.5 x 6 cm with acrylic box

Tina Douglas, prickly 2019, 3D printed plastic errors on ragboard, 60 x 55 x 6 cm with acrylic box

Tina Douglas, grating 2019, 3D printed plastic errors on ragboard, 37.6 x 28.5 x 6 cm with acrylic box

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