• home
  • exhibitions
    • 2026 Trying To Touch The Grass - Five Walls Project Space, Footscray
    • 2026 'Her Majesty's Prison,' by The Tennant Creek Brio, Peter Webster and Tina Douglas
    • 2026 Third Experimental Music Festival, Kanazawa-city, Japan 2026
    • 2025 hyphae (mycelium) - Blindside, Melbourne
    • 2023 In Becoming Not Nothing - Layla Vardo and Tina Douglas, Brunswick Temporary, Brunswick
    • 2023 hypha_e - Five Walls, Footscray
    • 2023 ABSTRACTI♀︎N - Five Walls, Footscray
    • 2022 Digital: how artists use ‘the digital’ to talk about being human, Sandbox Studios, Brunswick
    • 2022 Abstraction 22 - Five Walls, Footscray
    • 2019 Shit That I Like - Nicholas Projects, Richmond
    • 2019 Backscatter, Five Walls Projects, Footscray
    • 2019 Tech-Xiety, Melbourne Fringe Festival, Prahran
    • 2017 - 2018 Let's Play: The art of our time, Bunjil Place Gallery, Narre Warren
    • 2018 Support - Five Wall Projects, Footscray
    • 2018 Abstraction Twentyeighteen - Five Walls Projects, Footscay
    • 2017 node - Alternating Current Space, Prahran
    • 2017 process - Town Hall Gallery, Hawthorn
    • 2017 signalbox Five Walls, Footscray
    • 2017 Her Way, Rankins Lane Gallery, Melbourne
    • 2016 the introduction of z - Five Walls, Footscray
    • 2016 draw - Studio 5, Fitzroy
    • 2016 holding pattern - fortyfive downstairs, Melbourne
    • 2016 5 Rankina Lane, Melbourne
    • 2013 Remote Access: Charts for Thinking Place Gallery, Melbourne
    • 2012 X,Y,Z Mundi Place Gallery, Melbourne
    • 2011 Place Gallery, Melbourne
    • 2010 Works on Paper, Place Gallery
    • 2009 Place Gallery, Melbourne
    • 2007 Place Gallery, Melbourne
    • 2004 Watson Place Gallery, Melbourne
    • 2004 betaversionpack, Studio 15, Abbey St Studios, Richmond
    • 2003 betaversion, First Site, RMIT
    • 2001 Paintings on Art Gallery Walls (with Jonas Balsaitis)
    • 1998 Pinacotheca Gallery, Melbourne
    • 1995 Pinacotheca Gallery, Melbourne
    • 1993 Pinacotheca Gallery, Melbourne
  • sound, mulitmedia, video
    • mycelium orchestra
    • hyphae project
    • exhibitions
    • performances
    • solo releases
    • compilations
  • collaborations
    • 2021 Objects of Interest
    • 2020 FOLMR
  • news
  • about

Tina Douglas

art

  • home
  • exhibitions
    • 2026 Trying To Touch The Grass - Five Walls Project Space, Footscray
    • 2026 'Her Majesty's Prison,' by The Tennant Creek Brio, Peter Webster and Tina Douglas
    • 2026 Third Experimental Music Festival, Kanazawa-city, Japan 2026
    • 2025 hyphae (mycelium) - Blindside, Melbourne
    • 2023 In Becoming Not Nothing - Layla Vardo and Tina Douglas, Brunswick Temporary, Brunswick
    • 2023 hypha_e - Five Walls, Footscray
    • 2023 ABSTRACTI♀︎N - Five Walls, Footscray
    • 2022 Digital: how artists use ‘the digital’ to talk about being human, Sandbox Studios, Brunswick
    • 2022 Abstraction 22 - Five Walls, Footscray
    • 2019 Shit That I Like - Nicholas Projects, Richmond
    • 2019 Backscatter, Five Walls Projects, Footscray
    • 2019 Tech-Xiety, Melbourne Fringe Festival, Prahran
    • 2017 - 2018 Let's Play: The art of our time, Bunjil Place Gallery, Narre Warren
    • 2018 Support - Five Wall Projects, Footscray
    • 2018 Abstraction Twentyeighteen - Five Walls Projects, Footscay
    • 2017 node - Alternating Current Space, Prahran
    • 2017 process - Town Hall Gallery, Hawthorn
    • 2017 signalbox Five Walls, Footscray
    • 2017 Her Way, Rankins Lane Gallery, Melbourne
    • 2016 the introduction of z - Five Walls, Footscray
    • 2016 draw - Studio 5, Fitzroy
    • 2016 holding pattern - fortyfive downstairs, Melbourne
    • 2016 5 Rankina Lane, Melbourne
    • 2013 Remote Access: Charts for Thinking Place Gallery, Melbourne
    • 2012 X,Y,Z Mundi Place Gallery, Melbourne
    • 2011 Place Gallery, Melbourne
    • 2010 Works on Paper, Place Gallery
    • 2009 Place Gallery, Melbourne
    • 2007 Place Gallery, Melbourne
    • 2004 Watson Place Gallery, Melbourne
    • 2004 betaversionpack, Studio 15, Abbey St Studios, Richmond
    • 2003 betaversion, First Site, RMIT
    • 2001 Paintings on Art Gallery Walls (with Jonas Balsaitis)
    • 1998 Pinacotheca Gallery, Melbourne
    • 1995 Pinacotheca Gallery, Melbourne
    • 1993 Pinacotheca Gallery, Melbourne
  • sound, mulitmedia, video
    • mycelium orchestra
    • hyphae project
    • exhibitions
    • performances
    • solo releases
    • compilations
  • collaborations
    • 2021 Objects of Interest
    • 2020 FOLMR
  • news
  • about

Let's Play: The art of our time

14 December 2017 - 25 February 2018

BUNJIL PLACE GALLERY, Narre Warren

Curator: Rodney James

More info

Contemporary neuroscience and cognitive brain theory, especially Embodied cognition, suggests that the minds not only connected to the body but also that the body influences the mind. Just as 60s Minimalism returned the body and sensory experience to the realm of art, so too contemporary neuroscience investigates the plasticity of the mind and it's ability to adapt and evolve. Tina Douglas's work in Let's Play takes cognition and brain function and turns it into a visual soundscape. Douglas's practice ranges from large monochrome paintings, that combine intuitive mark-making and the self imposed rule of the grid, free-hand drawings and improvised sound and video performances. The connection thread is the parallels that can be drawn between patterns and grids. and how information is reproduced and communicated through digital forms.

Felt, 2017 is an interactive wall work commissioned for Let's Play. In it Douglas engages physically, visually and aurally. People are drawm to touch the work through their attraction to soft, natural materials. Sensors trigger unexpected sounds and subtle vibrations upon touch. Douglas likens the work to a non-naturalistic terrain that allows participants to take any number of paths. Sounds are triggered bt proximity, broadness of strokes, and the depth and angle of touching. The triggers operate concurrently so that complex ;ayers of sound can evolve. 

Douglas's work follows a long tradition of experimental sound performances by 20th century artists who used discordant sound patterns to create music based on random elements, breaking down the traditional division between the artist and the audience. In Felt, the soundtrack shifts and changes through the movement and position of the audience. Sound loops created by processing recorded sounds from the real world through computer programs foster a hybrid experience that is neither natural nor digital. Much like our everyday experiences, it lies somewhere inbetween.

Rodney James 2017, Let's Play: The art of our time, exhibit. catalogue, page 36-37.

 

Full line up of featured artists:
Brook Andrew, Terry Batt, Polly Borland (UK/USA), Tina Douglas, Emily Floyd, Shaun Gladwell (AUS/UK), Claire Healy and Sean Cordeiro, Chayni Henry, Troy Innocent, Jess Johnson (NZ/USA), Jeff Koons (USA), Maria Kontis, Fiona McMonagle, Jan Nelson, Trent Parke, Patricia Piccinini, Robert Pulie, Nick Selenitsch, Tim Silver, Fleur Summers and Miwa Yanagi (Japan).

View fullsize IMG_E6199-1.JPG.webp
View fullsize Felt  2017  Wool, stainless steel fibre, micro controllers, speakers, sound.  260 x 140 cm  Photograph: Viki Petherbridge
Felt  2017 Wool, stainless steel fibre, micro controllers, speakers, sound. 260 x 140 cm Photograph: Viki Petherbridge
View fullsize Felt  (detail) 2017  Wool, stainless steel fibre, micro controllers, speakers, sound.  260 x 140 cm  Photograph: Viki Petherbridge
Felt  (detail) 2017 Wool, stainless steel fibre, micro controllers, speakers, sound. 260 x 140 cm Photograph: Viki Petherbridge
View fullsize DSC_2762.jpg.webp
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View fullsize DSC_2770-1.jpg.webp
View fullsize DSC_2764.jpg.webp
View fullsize DSC_2760.jpg.webp
View fullsize DSC_2761.jpg.webp
View fullsize Felt (detail) 2017  Wool, stainless steel fibre, micro controllers, speakers, sound.  260 x 140 cm  Photograph: Viki Petherbridge
Felt (detail) 2017 Wool, stainless steel fibre, micro controllers, speakers, sound. 260 x 140 cm Photograph: Viki Petherbridge
View fullsize Felt (installation view) 2017  Wool, stainless steel fibre, micro controllers, speakers, sound.  260 x 140 cm  Let's Play: Art of our time, Bunjil Place Gallery
Felt (installation view) 2017 Wool, stainless steel fibre, micro controllers, speakers, sound. 260 x 140 cm Let's Play: Art of our time, Bunjil Place Gallery
View fullsize Felt (installation view) 2017  Wool, stainless steel fibre, micro controllers, speakers, sound.  260 x 140 cm  Let's Play: Art of our time, Bunjil Place Gallery
Felt (installation view) 2017 Wool, stainless steel fibre, micro controllers, speakers, sound. 260 x 140 cm Let's Play: Art of our time, Bunjil Place Gallery
View fullsize Felt (installation view) 2017  Wool, stainless steel fibre, micro controllers, speakers, sound.  260 x 140 cm  Let's Play: Art of our time, Bunjil Place Gallery
Felt (installation view) 2017 Wool, stainless steel fibre, micro controllers, speakers, sound. 260 x 140 cm Let's Play: Art of our time, Bunjil Place Gallery
View fullsize Felt (installation view) 2017  Wool, stainless steel fibre, micro controllers, speakers, sound.  260 x 140 cm  Let's Play: Art of our time, Bunjil Place Gallery
Felt (installation view) 2017 Wool, stainless steel fibre, micro controllers, speakers, sound. 260 x 140 cm Let's Play: Art of our time, Bunjil Place Gallery
View fullsize Felt (installation view) 2017  Wool, stainless steel fibre, micro controllers, speakers, sound.  260 x 140 cm  Let's Play: Art of our time, Bunjil Place Gallery
Felt (installation view) 2017 Wool, stainless steel fibre, micro controllers, speakers, sound. 260 x 140 cm Let's Play: Art of our time, Bunjil Place Gallery
View fullsize Felt (installation view) 2017  Wool, stainless steel fibre, micro controllers, speakers, sound.  260 x 140 cm  Let's Play: Art of our time, Bunjil Place Gallery
Felt (installation view) 2017 Wool, stainless steel fibre, micro controllers, speakers, sound. 260 x 140 cm Let's Play: Art of our time, Bunjil Place Gallery

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